Beautiful Boy Soldiers: Kaoru Shintani’s Area 88 and the Negotiation of Japanese Postwar Masculinity
Date of Award
2014
Publisher
North Dakota State University
Document Type
Master's Paper
Degree Awarded
Master of Arts (MA)
Program
English
Department
English
College
Arts, Humanities, and Social Sciences
Faculty Advisor
Birmingham, Elizabeth
Description
This paper will examine the war manga Area 88 and its recent anime adaption. Area 88 depicts a fictional middle-eastern civil war in which a Japanese protagonist finds himself fighting as an unwilling mercenary. Area 88 is set in the cold war era, which, by necessity, must grapple with Japan’s political reality. As history professor Hiromi Mizuno explains, “…considering the strong connection that scholars and activists have found between masculinity and war, on the one hand, and femininity and peace, on the other, how postwar Japan’s masculinity has been negotiated with constitutional pacifism is an interesting and under-examined question” (105). The question arises: how can a Japanese protagonist engage in war while simultaneously advocating non-violence, or as Mizuno writes, “the dilemma of reclaiming masculinity and claiming pacifism at the same time?” (110). This negotiation of two seemingly contradictory goals both visually and textually is at the heart of Area 88’s narrative.
Recommended Citation
Chinwongs, Luc, "Beautiful Boy Soldiers: Kaoru Shintani’s Area 88 and the Negotiation of Japanese Postwar Masculinity" (2014). English. 13.
https://digitalcommons.ndsu.edu/english/13
Rights
NDSU Policy 190.6.2
Rights Link
https://www.ndsu.edu/fileadmin/policy/190.pdf
Handle Identifier
https://hdl.handle.net/10365/23229