Files
Date of Award
2014
Document Type
Thesis
Handle
https://hdl.handle.net/10365/23205
Publisher
North Dakota State University
Rights
NDSU Policy 190.6.2
URI
https://www.ndsu.edu/fileadmin/policy/190.pdf
Abstract
This is a study of how spaces change from one typology into a completely opposite one. The main typology is stage performance with immense requirements which demand the use of advanced technology and automation. The project combines all stage performance types into one facility, or space. The building accommodates dance, opera, orchestras, rock concerts, conventions, lectures, chamber music, theatrical productions, and intimate recitals, hosting audiences as few as 250 people or as large as 38,000-52,000 people. State of the art technology integrated architecture will facilitate the complex transition from one space to another. Spaces will be able to accommodate large, dynamic athletic events yet technologically morph into a seductively dramatic space for an evening theatrical show, orchestra or opera. The space needs to be able to accommodate all typologies at one time, under one roof, in sub divided spaces, allowing visitors the full experience of light, sound, and video, regardless of the event. Title: Kinetic Morphology of Performance Spaces. Typology: Performance Space Site: Dallas, Texas USA. Project Size: 2.1 Million Square Feet.
Recommended Citation
Dunham, Matthew, "Kinetic Morphology of Performance Space" (2014). Architecture Theses. 457.
https://digitalcommons.ndsu.edu/architecture-theses/457